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lirik lagu sheridan smith, hadley fraser, nicola hughes & amy lennox - a change of life

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[myrtle, spoken]
i do work hard, and honestly, i don’t know what’s wrong
i somehow seem to have lost the reality of the reality
no, no, suddenly i can’t go on
god, i’ve been an actress a long time
i’ve always seen things clearly, but—

[manny, spoken]
talk to me, come on

[myrtle]
what is driving this woman to
do the things that we all need her to do?
where’s her sense of humor and fun?
all she does is look through veils at everyone
she has no goals, no sense of loss
or desire for contentment
she is very
alien to me
pray say something that makes sense

[sarah, spoken]
do you expect to be funny in this scene?

[myrtle]
it has to make sense
[sarah, spoken]
this woman you’re playing is
is as helpless as you are, and as helpless as i am
she has no weapons
she wants to fall in love
but time has passed her by, it’s that simple, it’s too late
you understand that part of it, don’t you
what is it you feel this play doesn’t express?

[myrtle, spoken]
hope

[sarah]
tell me, myrtle, how old are you?
you must know how it feels to be without
all the weapons granted in youth
that are gone after the silent disarmament
thirty~eight or more forty~two?
tell me, myrtle, how old are you?
it matters
you understand
it must all make sense

[sarah, spoken]
tell me, where would you like to be funny?
when maurice beats you?
perhaps i can write you a funny line
[myrtle, spoken]
yeah, would you?
please

[myrtle]
it has to make sense

[manny]
this woman is like all women
she seeks immortality
she doesn’t know how
she’s flesh without soul
you know what i mean
a monument to mediocrity
she’s so middle class

[manny, spoken]
she’s pitiful, it’s great for the play

[manny]
she’s not even a housewife

[manny, spoken]
bitter at the prospect of failing at everything that is important to her
as a woman
[manny]
she’s not even a housewife

[myrtle]
that’s going a bit too far
could we please just keep it on the level?

[manny, spoken]
alright

[manny]
anyway, she’s too old for kids
blindly throwing herself away into the danger
she says i’m stifling
what does that mean?

[sarah]
it just means she’s having a change of life

[manny]
when she’s drunk, what does that mean?

[sarah]
it means she is having a change
a change of life

[myrtle, dorothy & manny]
tell me sarah
tell me do
this woman is who?
tell me sarah
tell me do
is this woman you?

[sarah, spoken]
no

[manny, spoken]
no?

[sarah]
she’s having a change

[manny, spoken]
uh huh

[sarah, spoken]
i’ve had mine already!

[sarah]
a change of life!

[manny, spoken]
you wanna be young again, huh, is that it?
what does that mean?
why don’t you answer?
why don’t you say, “i’m sorry?”
huh, you, you wanna be free, is that what you want?
you wanna destroy me, is that what you want?
you wanna shut the life out of everything, is that what you want?
you wanna bury me, is that what you want?
let it, let it, let it!
you gotta stop thinking about it and just do it, alright?
uh, leo, let’s take it from the top and run the lines first

[leo, spoken]
alright, you heard him, let’s run the lines from the top
act one, scene one


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