lirik lagu shady records - shady cxvpher
[directed by syndrome]
[verse 1: kxng crooked]
kxng crooked, eastside, long beach, california
my name is kxng crooked
i snap on you rappers often
when i’m spazzin’ i’m just gettin’ my p-ssionate point across
like a hood cat clappin’ his hands when he’s talkin’
now that i got your attention, i feel i should really mention
don’t come around here flossin’, big w-ll–s, we willie lynch ’em
pull out the chopper, rappers hittin’ the ground
like every bar is a bullet, when i pull it, it sound like
ba-da-da-da-da-da-da a couple of bullets are comin’ your way then it jam
like god d-mn
then i pick up somethin’ quicker, start k!llin’ everything in the vicinity
the proximity, the glocksimity, we on yosemite sam
bam, bam your body drop, van damme, karate chop
the beretta’s a better compet-tor
pop pop turn your sweater to a crop top
k!llin’ you and whoever in that drop top
etcetera, etcetera and it will not stop
just shoot, shoot like doot doot
and beaucoup, beaucoup, i’m cuckoo
i’m a star goin’ to war with you clones like count dooku
i’m worlds apart from you rappers
like i walk in the booth rockin’ a biosuit made of plastic
and nasa’s galactic elastic travelin’ through sp-ce, interstellar rapping
broadcastin’ from uninhibited planets
when i come back, that’s it
you see a flash in the sky, it’s that n-gga, i
when i land, you wack n-ggas die
and your casket is your last hit
you wack b-tch, f-ckin’ b-st-rd
back to the hand clappin’
you die quicker than darren wilson walkin’ through ferguson
dressed like the grand dragon of the klan
p-ssin’ n-ggas with pants saggin’
with their hand on a black magnum
to clap him backwards
so their last words is “kcuf meht nmad saggin”
that’s backwards for “f-ck them d-mn n-ggas”
buck them d-mn triggers
charge us, bodies fill up them d-mn rivers
’cause everybody wanna be the best rapper alive
but i only like dead rappers
compare me to the best rappers who died
and you rappers i used to look up to
i gotta cancel you now
like simon cowell, i can’t let you ex factors survive
nah, the time’s right and they finally limelightin’ the god of this rhyme writin’
my mic can only be likened to poseidon’s trident and zeus’ lightnin’ strike
and my metaphors are what thor was to the norse viking
i’m a born t-tan and at-point k!ll ’em like swordfightin’
i’m slicin’ organs with songwritin’, i dwarf giants
i hope i’m rubbin’ you p-ssies wrong sort of like poor dykin’
i smoke philosophy, i snort science
that means i’m higher than higher learnin’, look in my eyes
that’s where the fire’s burnin’
try to deny a music messiah’s returnin’
you die and you fry in my iron furnace
i am on my get rich or die tryin’ like when em was signin’ curtis
’cause i am murderous
[verse 2: joe budden]
joe budden, jersey city, new jersey
now we can do this a couple of different ways, it really depends
could give them cl-ssic ny jeans over the timbs
or i could spit about my car and how it sit on the rims
i could tell you why i’m hot and disappear like mims
but the bars there, put that on god, ask an atheist
and if i ain’t the bomb at least i’m in the blast radius
i’m beating these kids’ indictment, sh-t, i like the terror
apb on my actions, i’m in the viking era
moment of truth, i give you facts right now
f-ck this cypher, my mind ain’t on rap right now
so it’s f-ck metaphors and punches, all the witty sh-t
got a missing uncle and another need a kidney flip
face says i been stressed
i got an aunt getting her -ss kicked by ms
n-gga, why am i here? for the look, for the promo
sh-t that bothered from the start
’cause the cancer left his lungs and it’s on my grandfather’s heart
yeah, just not the side that the beat is on
i’m supposed to put that to the side when the beat is on
i’m planning the funeral, i’m getting the he-rs- ready
these n-ggas only wanna ask me if the verse is ready
not a how do i feel, not a how do i deal
if that’s the life, then n-gga, how is it real?
these last couple of days i’ve been speaking to my peers
giving them cries for help, i guess they need to see the tears
but wait, wildest part of all of that is
they’ll shoot a suicidal rapper right here on the bridge
but f-ck it, gotta pardon ’em, shout out to my squad and ’em
house gang, shady, i’m gone, n-gga, my job is done
[verse 3: yelawolf]
yelawolf, gadsden, alabama
my name is wayne, i’m from alabama
here’s the back story:
i just fell off the turnip truck with ernest tubb
i’m 33, i’ve got 3 kids and i just popped 3 pills
i don’t know which one’s which or what it’s for
safety ain’t really a habit i’ve formed
i still smoke to the cigarette b-tt
i still drink till i end up being that klutz
clumsy, self-destructive dummy
stumbling over my words, mumbling
i’ll probably do it tonight
leave the bar, leave the car
and p-ss out like a fetus in a jar with my feet up to the stars
and dream about that light that leads up to the lord
i have nightmares about my momma getting beat up in the yard
wake up feeling like half a human
hit the studio and unleash this guilt and regret
for my lack of union between rap, you and the rock and roll community
but unity between country music and mcs, i’m claiming immunity
still i’m working, sawing, milling this tree
building this house exactly the way charlemagne the god and lord jamar thought it would be
wait a minute… the lord and the god hate me
jesus christ, i am the white devil!
nah…
i’m still working, sawing, milling this tree
building this house exactly the way i thought it should be
wanna take a tour? let’s see
i’ve got floor-to-ceiling windows and a cabin-style mansion
bucks, bears, trucks, boats, tires, spares, four-wheelers
three-wheelers, two-wheelers, a drug dealer on call
plaques on the wall, racks on the wall for my guns on the wall
lift kits, low riders, chop shops, hi tops, low tops, cowboy boots
dixie flags, american flags, slumerican tags on my slumerican -ss
ceo
i’ve got my name on the bathrobe, and the flame on the back porch is lit
guess who’s coming to dinner?
andré 3000 and hank the third, go figure
i’ve got two stand-up jetskis, a top pedigree horse, just to pet and feed of course
who rides a horse in nashville? i might
i’ve got bicycles for the kids, tricycles for the babies
m-80s, bottle rockets, bottles in my pocket
moonshine, gold watches, gold rings
all fake, no bling, don’t hate, that’s my thing
i’ve got new clothes, old clothes, vintage, tremendous, endless style
goodwill loves me mackle-more than you
i’ve got flat screen tvs, with skate videos on repeat
all the latest cds, mp3s, and beats by dre
thank you very much, jimmy iovine for the check
i’ve got a black woman fine as she can be
fefe with a ring on her finger that could give sight to the blind
a 5, a 10, a couple hundreds layin’ on the counter
i don’t know where that came from
i got artwork from hard work, yardworkers for yard work
don’t look under the tarp, sir
i’m growin’ weed for my mama there
i’ve got a paved driveway and photos in the hallway of me on my harley
and i did it my way
see, hip-hop is what you make of it
and i’m makin’ a lot of it
see that’s a quadruple entendre, jay z eat your heart out
[verse 4: joell ortiz]
joell ortiz, brooklyn, new york
but these cyphers?
i treat ’em like they a war; don’t want no mediators
nah, this that grow up in the p’s behavior, next door to the greasy neighbors
people thank you, i do this for all the mean creators
i was someone who never needed favors to get where i’m at
now they deem me a savior
but to be honest i ain’t feelin’ like that, man i just really like rap
y’all lucky, trust me
i’m opposite the hands of sandusky
with the sh-t that my pen state, these rappers can’t touch me
ugly? sh-t, you serious? i’m hideous
i was better than all you silly kids while trying to figure out just who i really is
as a younger dude, life was somethin’ rude
i barely made it to the first like a cutler move
no rubber groove on my shoes led to fights, so suspensions
i had 3 in one week, yeah that was public school
did i say 3 in 1? that’s funny ’cause there’s 4 of us in the slaughter
that’s a 3 and 1, i learned that in public school too
like what’s in between a 3 and 1 and house gang, i spoke to all 3 on 1 call
like i dropped 2 albums and #3 is 1 second from bein’ done
just need y’all 3 to send me 1 verse apiece
for this heatmakerz beat and brother’s keeper 1
simple mathematics, i’m addin’ up to all these rap addicts
i don’t like to divide dough so i multiply flow
and subtract maggots
like a brand new craftmatic, boy i’m back at it
smokin’ these new boys like my last habit
dabnabbit i tried to quit but everything i kick’s like the last dragon
hoes suckin’ my drummer d-ck, they on my bandwagon
i just gotta laugh ’cause y’all pushin’ a lot of swag
i’m pushin’ this big ole he-rs-, don’t get body bagged
[verse 5: royce da 5’9″]
royce da 5’9″, detroit, gah
these new rappers be askin’ me
why i don’t be hangin’ out where they be hangin’ out
i tell ’em, i say, “lil n-gga, listen here;”
if i don’t got no business there, i don’t got no business there
see there’s a difference here
you hustlin’ so you can be seen
n-gga i’m grindin’ so i can disappear
i don’t do it like other rappers do
when it’s on time, it’s skull and bone signs at the stu
we got guns you only find on your cheat code screen
if you think i remind you of any of these n-ggas you wildin’ out
like chico bean
when there’s drama i don’t ask no questions, i just clap in that direction
i look at this gat like it’s an actual accessory
i’m anti-social so relax when you step to me
n-gga i shoot the breeze with actual weaponry
your lil’ stare downs won’t fare well
i got a pale conscience, i’m the grey area
the last person i had a bond with was a bail bondsman
now imagine me hangin’ with y’all and we rappin’ on the same song
n-gga i’d rather juggle a couple of chainsaws
or run through h-ll with a pair of gasoline hanes on
i’m a star but not on some i wanna be a star kinda sh-t
the only celebrity who give a f-ck less than me is marshawn lynch
glock in the stash as a backup but the mac’ll burst
cripple your style, your first born child’ll come out
with a colostomy bag as the afterbirth
i don’t give a f-ck
n-gga i’ll show up to beyonce’s show posin’ as jay z
stagger in your studio session with a bomb strapped to my chest
lookin’ like omarion holdin’ his baby
jump in the 4 door mercedes with a .44 listenin’ to jojo and k-ci
drinkin’ and sniffin’ enough blow that it got me thinkin’ i can exchange sicknesses
maybe, this ebola for rabies
that’s it, just livin’ the rapper life
banana clip in the air, lookin’ like it’s ’bout to start singin’ it’s mac tonight
macs, i use this mac as a component for thugs rollin’ up
i got this mac on and you better stay in that corner
’cause sh-t can turn into that song except i don’t give a f-ck what day it is
i’ll have this club goin’ up, f-ck with me
mack magnet, attractin’ enormous green
slap this clip in this gat then call this arm christy mack
’cause this b-tch is that war machine
life of a giant, but who needs size when you’re wack and your team’s soft
drag your girl down this hill ’til she admits that it feels like she’s jackin’ the beanstalk
we both got marketing plans
yours is to sell records and try to net more than you gross before
mine is to punch you in your face if you ever disrespect me
and then go invest into a grocery store
rolled up with the smith & wesson and drew on you like let’s fight now
i do numbers, i turn you and your crew into two plumbers
translation, get your sh-t together and pipe down
f-ck a mic, i don’t write, i chew and spit
i’ll shoot you and your sis if you insist
i got my eyes on the sparrow
silencer’s so big it look like i got bobby shmurda tied to the front of the barrel
and he doin’ this
[verse 6: eminem]
my name is marshall. i’m reppin’ that motherf-ckin’ motor city, b-tch
i just turned slaughterhouse to a quintet
began to trend-set, murdered a friend’s pet
made sh-t as ill as it can get went in-depth
like a f-cking vignette and two bars skins wet
i’m already covered in sweat and i wasn’t even ready to come in yet
ahh, let me set this drink down
beat up a gal, start beef with her pal
probably be wild ’til i’m wrinkled and senile
and “rap god” was a freestyle
off the top of the dome piece while i was ‘sleep on the couch
and i’m freestyling now
i need a towel, sweat leaks from my brow
it’s burning my eyes, my cerebral is foul
’cause sh-t i’m thinking about should be illegal
i need my head banned like the guy who left cleveland ohio
and went to south beach with his talents
scream “f-ck you” on the way out and wink with a smile
this whole game can eat a d-ck, i’m going back deep underground
but right now i’m back on that bullsh-t and you i’m singling out
’cause you’re so f-cking outdated you should mingle a while
what the f-ck is this kl-sterf-k of busters?
bunch of buster douglas’, motherf-ckers is one hit wonders
one swing and you’re crowned
knocked one out the park, one catchy jingle and now
you think you f-cking with me ’cause you sold like 300 thou?
b-tch, i can jump without my feet ever leaving the ground
reach up, swing from a cloud with 3 thousand people around
evil and vile enough to leap in the crowd
and heave a child in a sinkhole on cinco de mayo
when i’m sprinkled in pico de gallo
mardi gras beads in a towel
i just made that up
i don’t know much spanish, i’m not bilingual
but i’ll show you a mexican stand off
between just these two amigos
’cause neither really wants to say what we’re thinking out loud
but i sure as f-ck think i know how read body english, no doubt
’cause we’re trying to k!ll each other, but lyrically
the f-ck is humility? what is a real emcee?
royce, he came up in the sh-t with me
never spit that hustler sh-t, it wasn’t a fit for me
let them adjust ’til they just get the gist of me
just not giving a f-ck and plus with the history
of muscular distrophy, it wasn’t a mystery
why this middle finger was stuck in this upward positioning
so what in the f-ck is a list to me?
i’m used to not being on it, i expect it out ’em
heck wit’ em, i get my respect without ’em
ain’t really been into diamonds since i put my first record out
but i could put a chain around my second album
and wear it as a neck medallion
became a millionaire, went downhill from there
became civil, office swivel chair, sterling silverware
screaming life is still unfair til i get a real career
the f-ck am i gonna do until then? this job is too fulfilling
two ga-jillion pairs of super villain shoes to fill in
and a mood to k!ll till i plow my coupe de ville
into some children at the food pavilion at build-a-bear
warrior’s mind, i’m pro-hydrocodone euphoria
in the drug emporium line, i’m soaring
i’m pouring vicodin four at the time ignoring the warning signs on ’em fore i go four wheeler riding
gory and violent and horrifying
you surely won’t find no one more abhorring
than i am with this retaliatory of rhyming for gloria steinem
but i finger her like a witness, show me a line-up
i usually am abusive, but excuse me, ma’am
i guess i must’ve threw you for a loop like toucan sam
when i said i could use the sample ’cause you’s a tramp
but look how you react to this trigger like
when i call you a bigger dyk- than the hoover dam
you’re playing right into lex luthor’s hand
it’s such a ruthless plan, might even lose a fan
but f-ck it, superman wouldn’t change in a phone booth for stan
i’m a brand new being like grand puba’s band
happy as anderson cooper having a tuba crammed
in his p–per with lubricant…wait, that’s too… i can’t
since honesty is the best policy i’ll give you the old college try
try to acknowledge my mistakes, probably won’t qualify
as a gentleman and a scholar, but it’s time that i swallow pride
and say that i’m sorry, sorry i can’t apologize
i think of all them times i compromised my bottom lines
and thought of rhymes that sodomized your daughter’s minds
then i’m like dollar signs
but i may fight for g-y rights especially if they dyk-
is more of a knockout than janay rice
play nice, b-tch, i’ll punch lana del rey right
in the face twice like ray rice in broad daylight
in plain sight of the elevator surveillance
til her head is banged on the railing
then celebrate with the ravens
never date an -ssailant who self-medicates with inhalants
i’d meditate, but i may need a better way to escape
the aggression, rage and the anger
cause leg restraints on the ankles
heavy weights and an anchor with handcuffs in chains
just ain’t enough to contain it
but i still get the same respect as jay if i came on
stage in a f-cking negligée everyday and liz claiborne
devastated from breakup with kate hudson
wait sl-t, your friends, what are they gonna say
’cause makeup ain’t gonna cover
that eye that’s seven-eighths of the way shut
peppersprayed with your face cut
made my bank like a lay up
off these effing sk-nks on the way up
oh, b-tch thinks she’s heaven-sent
it’s evident that she ain’t never been with seven inches
yes, i said seven, i measured it
seven inches from the floor
while i’m standing on the fourth floor balcony
at the sheraton while i’m stretching it
b-tch, i’m a pimp so a limp d-ck is all you’ll ever get
so if she’s hesitant to get the hint
i’ll bet you that i get the message sent who she’s messing with
eloquent when i tell a chick not to ever use s-x as a weapon
when i step in and beat the wretched wench with a crescent wrench
existential detriment to a lesbian devil
and the unpleasant stench of an estrogen level
a separatist like a chechnian rebel
impressionist with a pencil
a pessimist, with his lips pressed against
the edge of this red bull
pedal to the metal i’m rippin’ this sh-t cause right away i’ll give it to a b-tch like a pedestrian, deadly as ever
you see what kind of effects she has on the opposite s-x when i push her flexible little s-xy -ss through a plate of plexigl-ss
shadyxv as perplexing as
the last fifteen years and i’m predicting my next relapse
when i spit these lyrics so don’t look at me weird
when i start shifting gears and sh-t re-smears all over britney spears
and these little disney queers
who use chicks for beards?
just made that up too…
oh and the shady 2.0
we wrote it in roman numerals like they do for the super bowls
’cause it’s supposed to confuse you hoes
so flows lose you as usual, so juvenile
2 year old when i go to the studio
it’s only music but don’t be foolish though
you don’t know me through it ho but you can blow me to it though
in my homie’s buick
been known to lose it though so if i overdo it you drove me to it
when i step in the vocal booth like i’m supposed to do
and i murder you on a f-ckin’ track like tony stewart
in one take, if i f-ck up and i don’t redo it
you couldn’t sound grown on a beat if you were moaning to it
the day i don’t say f-ck you (w)all, you can throw me through it
rootinest-tootinest, shootin’ this from the hip
with the sentiments, eminem isn’t penning them for the women
i’m an enemy to them and the epitome of an inconsiderate idiot
but they consider me equivalent to chlamydia
they tryna get rid of me gadzooks
but i stiggity stand for the figgity flag
of the united states and the freedom, i distribute these raps through
and if i catch you doing anything
hindering or prohibiting that after i get me the
tattoo of your lips on my -ss i’ma be literally
pickin’ up and deliberately whippin’ the statue of liberty at you, woooh!
f-ck it
got it somewhere in there probably, i don’t know
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