
lirik lagu my friends work at an oil rig - traumagenic blues
[part 1: traumagenic blues]
[instrumental intro]
[dialogue: jason perry]
i started writing songs for my band and carried on
yeah, i just wrote songs
i woke up one morning, thought “i’m gonna write a song today”
and then i wrote a really bad song
and then another really bad one, and i spent about ten years writing really bad songs, and then
[instrumental]
[dialogue: darren seltmann]
there is many ways to do it, you can sample your own instruments
or you can sample off the radio like tony does in our band
he doesn’t have a record player
but we prefer to go on the elusive hunt for records that are pretty much the wеirdest records we can find for thе money
you know we don’t pay over a dollar for a record
[instrumental]
[dialogue: darren seltmann]
and it’s not so much breathing life into old songs
it’s creating something new
it’s creating, it’s not, ehh
you’re not just ripping something off
[instrumental]
[outro: steve pavlovic]
when they decided that they wanted to make an album
and we completed a deal with them
i said, “well, okay, we’ll make a budget and i want you to go record the record”
and they were like, “look, that’s really great but what we really think we need to make the record we want to make
is to be able to purchase the equipment that we can then sit in our house and work whatever hours we want
and then rather than going ‘okay, we’ve got two weeks of studio time'”
[part 2: untitled]
[intro: unidentified 1, unidentified 2]
if you wanna go
if you wanna come
this is scary!
if you wanna come then, you gotta stay
if you don’t, if you don’t
if you gotta go, you gotta pay
if you don’t show then go away
okay
one, two, three, four
[verse 1: x~cetra, gordon mcquilten]
if you wanna come, you gotta stay
if you wanna go, you gotta pay
it’s got this one really interesting bit in it (if you don’t show, then go away)
save your talk for another day
[instrumental]
[part 3: time (extended)]
[intro: steve pavlovic]
one day i just got this tape that came in a sh~tty envelope
and it was all cr~ppy and cruddy looking and i’m like
“wow, this looks interesting, let’s put this on!”
and i put it on, it was the best thing i’ve heard in a long time
[instrumental]
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