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lirik lagu mike hart - influences

fifth~rate idea

i say, i just had this incredibly fifth~rate idea
if we get hold of some really tenth~rate people
we could be into something really small

oh calcutta!

oh calcutta where the wind goes
whistling round your~

the critics

man 1:
hart’s prelude in a minor for four strings
stretched over the mercy, damian

damian:
what i think we must remember is that, uh
we can in no way compare the violent contrasting in hart’s work
with the, say, the avuncular hedonistic elements
as found in, for example, schoenberg

man 2:
quite, quite
damian:
he does seem to me at any rate
to be consistently titillating one’s quantum fantasies

man 2:
titillating, right?

damian:
most people when quoting schoenberg do tend
as i think you and i know only too well to prove
for a surrealistic element which very often doesn’t exist

man 2:
quite, quite
i can’t help but agree

damian:
what i’m trying to say, basically
is that hart’s station to the metaphysical cannot possibly be compared
with, say, the prosaic and ethereal qualities of, for example, dillwater

man 2:
or even waverley station

man 3:
absolutely, john?
john:
well i agree in principle, of course
but you must realize, damian, is it?
damian, that dillwater’s early work bears very little
very li~ uh, little relation to anything
whereas most of hart’s earlier work was done, was done in the morning
which seems to me, at any rate, to give it that peculiar non~latish flavour

damian:
no, no, no, no, i do see what you mean
it’s just that his use of the iambic crotchet
as a metaphor as opposed to crochet
would seem to me to suggest some form of intoxicating new influence

john:
well i do see your point
do you think we could hear those last few bars again?

overheard sitting next to a beautiful girl in a bar in paris

uh, excuse me, uh, excuse me, ma’am
i wonder if i might trouble you for a few moments
you see, your friend has left you
can i buy you a cup of coffee or something?
uh, look, i don’t quite know how to put this
but see, uh, i’m going out to fight in vietnam tomorrow
i was, uh, uh, wondering, well
you see, the thing is, uh, um
while i’m a virgin and before i die
i was wondering if, if you’d, uh, uh
h~llo, cheeky drawers
i’m an incredibly sensuous man
i’ve been hanging around here all my life
how’s about a little tickle up now?

uh, h~llo, sensuous woman
i’m an incredibly cheeky driver
i’ve been f~cking around all my life
how about waiting for it?

uh, i was, i just happened to be passing
and i was, uh, i noticed you sitting there at the table, you know
and your noodles was out and everything
i thought, so i thought, well you know, i mean, you know
if you’re not doing anything, i’m not going now, well
i mean, i know you have continental ways and all that
but i was wondering if, uh

man:
thompson

thompson:
yes, sir

man:
have you finished searching the manor house?

thompson:
oh yes, sir
we went over it with a fine tooth comb, sir

man:
did you find anything?

thompson:
yes, sir
two hundred by the flying t~~th

- lirik lagu mike hart

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