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lirik lagu aric improta - blur-lights in the videodrome

[intro: brian eno]
and the interesting thing is that the least interesting sound in the universe, probably, is the perfect sound wave. it’s the sound of nothing happening. it’s the sound of perfection. and it’s boring (laughs) you know? as david byrne said in his song “heaven is a place where nothing ever happens.” distortion is character, basically. in fact, everything we call character is the deviation from perfection. so, perfection, to me, is characterlessness…

[refrain]
now begin levitation in the videodrome
now begin levitation in the videodrome
now begin levitation in the videodrome
if you get motion sickness, please go home

[cont. brian eno]
th-the difference between science and art is that science is very interested in looking at this world and trying to perceive regularities about it; trying to make consistencies and generalizing these. trying to find things–discover things about this world. artists, on the other hand, all kinds, are interested in exactly the opposite thing. what they want to do is to make other worlds. they want to say, “what would this world be like if these (?), and these events, and these catastrophes, and these tribulations and so on–what would that world be like to me?

[cont. brian eno]
th-the big mistake is to wait for inspiration; it won’t–it won’t come looking for you. it’s not so much creating something, i think. it’s-it’s noticing when something is starting to happen; and noticing, and then building on it. and saying, “ok, that’s new. that hasn’t happened before. what does it mean? where can i go with it?”

[transition: (aric improta) and refrain]
(yells)
welcome to the place between heaven and sp-ce
all of your memory is quickly erased
now begin levitation in the videodrome
if you get motion sickness, please go home
(yes!)
(right!)

[cont. brian eno]
everything good proceeds from enthusiasm. the sense of ‘i-really-want-to-know-how-this-turns-out’ will drive you on through many, many long nights of no results. um… whereas the feeling of ‘i-think-i-ought-to-do-this’ dries out very quickly…

[interlude: (aric improta) and refrain]
(ahhh! let it stop!)
(yells)
welcome to the place between heaven and sp-ce
all of your memory is quickly erased
now begin levitation in the videodrome
if you get motion sickness, please go home

[sample: gene wilder/w-lly wonka]
(girl screams)
little surprises around every corner, but nothing dangerous
don’t be alarmed
oh, you should never never doubt what n0body is sure about
oh, you should never never doubt what n0body is sure about
oh, you should never never doubt what n0body is sure about
oh, you should never never doubt what n0body is sure about
oh, you should never never doubt what n0body is sure about
oh, you should never never doubt what n0body is sure about
oh, you should never never doubt what n0body is sure about
oh, you should never never doubt what n0body is sure about
oh, you should never never doubt what n0body is sure about

[sample: john hurt]
there is no artist, or-or-or no craftsman–for that matter–umm, who can afford not to observe. i don’t mean by that you go out and say, “i’m going to do some observing today.” it’s just (?) have to be a way that there can (?) that goes into your memory. don’t know how it’s going to go in your memory. depends on what you draw on (?). all kinds of things get stacked away in the (?) mind, you know? (laughs) you’re really not aware of until it comes to, perhaps, needing it–and somehow it’s there. when you can’t just fabricate it from nothing, i don’t think…

[improvised segment: (aric improta)]
(screams into mic)

(radio static)

[sample: michael grandage]
the child must banish the father; respect him, but k!ll him. i’ve been searching for that quite in a way for a long time. just to be able to encourage somebody who’s young to learn what’s there to be learned from somebody who’s got anything to p-ss on. but be unafraid of k!lling that and moving forward yourself, and developing your own creativity…

[spoken segment: (aric improta)]
(yells)
(ahh, and you never know the way it’ll be the very last time…)

[sample: gene wilder/w-lly wonka]
there’s no earthly way of knowing (laugher) (he’s singing)
which direction we are going
there’s no knowing where we’re rowing (rowing!)
or which way the river’s flowing
is it raining?
is it snowing?
is a hurricane a-blowing? (laughter)
not a speck of light is showing
so the danger must be growing
are the fires of h-ll a-glowing?
is the grisly reaper mowing?
yes, the danger must be growing!
for the rowers keep on rowing
and there’s certainly not showing
any signs that they are slowing
(screams)
(oh, make it stop daddy!)
(wonka! i think you’ve gone far enough!)
quite right
stop the boat!

[outro: (aric improta) and refrain]
this is where i leave you now
floating forever with the permanent sound
of my body exploding into twelve thousand stars
(warbled voice)
(extended drum fill)
(rhythmic primal screams)
(backflip)

[end credits]
“in loving memory of aunt cathy”

vocal samples from:
brian eno, john hurt, and michael grandage
captured by alfred dunhill
additional vocal samples from
gene wilder
(thank you for keeping me inspired)

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